Thursday, May 11, 2017

The Case for Freedom ('90)

Includes tour spoilers!

For as long as I’ve been seeing U2 live, they’ve used awesome “walk on” songs – the song that plays loudly over the PA system just before they take the stage.  It’s a song that fits the vibe of that tour, and gets the crowd excited for the amazingness they’re about to witness.  For Popmart, they used M’s “Pop Muzik.”  “All You Need Is Love” and “Sgt. Pepper” opened Elevation.  For Vertigo, it was Arcade Fire’s “Wake Up.”  Bowie’s “Space Oddity” lifted off the 360 Tour, and most recently, Patti Smith’s “People Have The Power” kicked off the I+E Tour.  I know that the U2 tour starts tomorrow, so I might be too late to influence the walk on song, but I am making the case that George Michael’s “Freedom! ’90” is the perfect choice.  I’ve even asked some fan friends and tweeted to the band that there’s strong support for this song.

First, we have to acknowledge that three major artists have passed away since U2’s last tour – David Bowie – friend and idol of the band; Prince – possibly the greatest single musician ever, and musical/vocal inspiration for U2’s “Lemon”; and George Michael – their contemporary, a brilliant songwriter, and my favorite male singer (sorry Bono!).  I am a huge fan of all three of these incredible men – as are many other U2 fans – and I hope that the pre-show music heavily represents all three of them.  Suggested related songs: Bowie’s “Heroes,” and Prince’s “Emancipation,” but I could do an entire setlist!

When George passed away on Christmas Day, Bono wrote a sweet tribute and specifically mentioned George’s cover of “Miss Sarajevo” on his album Songs From The Last Century

“The tenderness of George Michael's version of Miss Sarajevo brought this Irish tenor to his knees... no opera, no histrionics
No Irish or Italian melancholy needed
George Michael was a beautiful soul made vulnerable by music
We'll miss what was but what was next we'll miss even more”

I think they’ve been rehearsing Miss Sarajevo, certainly to address the state of the world and Syria in particular, but also partly as a tribute to him.

“All we have to do now is to take these lies and make them true somehow.”

U2 has said in recent interviews that revisiting The Joshua Tree album feels right because the political and social climate of our world seems all too close to the world of 1987 – war, lies, all of the –isms and -phobias, and mistrust of once-respected institutions.  We’re having a particularly difficult time with this in the U.S.  Joshua Tree’s overtly spiritual and political messages were an attempt to find truth in 1987, the same year that George released his Faith album – his first solo album after leaving Wham!  It’s worth noting that both albums won back-to-back Grammys for Album of the Year (because of release dates, JT won in 1988, and Faith won in 1989).  While “Freedom! ‘90” isn’t obviously political, it has become a gay pride anthem, and is the perfect theme song for anyone who wants to be truly themselves.  When I had the good fortune of seeing George live in 2008, he closed the show with the song, and the arena erupted in joy.

“Sometimes the clothes do not make the man.”

The song’s themes also focus on personal issues: what happens to an artist when they achieve global stardom, then feel trapped by image and expectations, and eventually destroy the old image in order to break through to a new space and true creative revolution.  For George, this meant reflecting on his years with Wham! and during his Faith period and declaring a new start.  “Freedom! ‘90” was released in 1990, on George’s landmark Listen Without Prejudice, Vol. 1 album.  In the iconic video, he literally set on fire his Faith-era jacket.  Post-Joshua Tree, and Rattle & Hum, U2 struggled with their earnest image.  Even Frank Sinatra joked that their ragged folky clothes were pretty cheap-looking.  This identity crisis led to the groundbreaking Achtung Baby in 1991 (a year after Listen Without Prejudice), which they called “the sound of four men chopping down the Joshua Tree.”

“I think there’s something you should know,
I think it’s time I stopped the show,
There’s someone deep inside of me,
There’s someone else I’ve got to be.”

I recognize that this tour is meant to be a celebration of The Joshua Tree, so a song that focuses on moving on from the past might not seem like a good fit.  The Joshua Tree is U2’s most popular and well-known album.  Thirty years on, the songs are still as powerful as ever.  But this tour is not nostalgia – U2 doesn’t do nostalgia.  Setlist spoilers have suggested that they may use the tour as a preview of their next album – Songs of Experience.  I’m as excited to hear new music as I am to hear “In God’s Country”, “Exit,” and “Mothers Of The Disappeared” for the first time (well, ALMOST as excited).  So we should pay tribute, but not be beholden, to the past.

“Gotta have some faith in the sound,
It’s the one good thing that I’ve got.”


I also have to point out that “Gotta have some faith in the sound” reminds me of the lines at the end of “Get On Your Boots”: “Let me in the sound; meet me in the sound.”  And for the record, I also think “Boots” would make a great fit for this tour.  To completely lose oneself in the music, and the joy of a kick ass rock and roll show.  Imagine 50,000 people singing “Freedom!,” dancing to one of George’s funkiest jams, and letting him know – wherever his spirit is – how much he is loved and missed.  How great would that be?